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Michael Wolpe - 'JMI Visiting Composer from Israel'
Tzvi Avni is one of the foremost
composers of Israel today. He was born in Saarbrücken, Germany, in
1927, and came to Israel as a child. Initially self-taught he continued
his studies with Abel Ehrlich and Paul Ben-Haim. In 1958 he graduated
from the Israel Music Academy in Tel Aviv under Mordecai Seter and later
furthered his studies in the USA at the Columbia-Princeton Electronic
Music Centre with Vladimir Ussachevsky and in Tanglewood with Aaron Copland
and Lukas Foss. Since 1971 he has been teaching at the Jerusalem Rubin
Academy of Music and Dance where he holds the position of Professor of
theory and composition and served as head of the Electronic Music Studio.
His
works include several orchestral pieces, chamber music
for various combinations, vocal and choral music, several electronic
works, as well as music for ballet, theater, art films, radio plays, etc.
They have been performed world-wide by numerous soloists and ensembles
and by all Israeli orchestras including the Israel Philharmonic Orchestra,
The Jerusalem Symphony Orchestra, The Israel Chamber Orchestra, as well
as the Berlin Radio Orchestra, the Saarland Radio Symphony Orchestra,
the Brooklyn Philharmonic Orchestra, the Stuttgart Radio Orchestra, Bochum
Symphony and others, under the direction of Zubin Mehta, Lukas Foss, Gary
Bertini, Mendi Rodan, Yuri Aronovich, Juan Pablo Izquierdo, John Nelson,
Avi Ostrowsky, Yoav Talmi, Michael Stern, Steven Sloane, Yaakov Bergman
and many others. Many of his works have been printed and issued on records.
In his early works Avni followed the line of the so-called Mediterranean
Style which was still prevalent in Israel in the 1950's. His encounter
in the early 1960's with some of the newer trends in musical thinking,
including the electronic medium, were a turning point in his style, which
now became more abstract and focused on sonorism and post-Webern developments
though preserving some of its former characteristics. Avni's interest
in Jewish mysticism since the mid 1970's left a further mark on his musical
language in which some neo-tonal elements manifest themselves in a new
synthesis. Avni is a recipient of several prizes, including the ACUM Prize
for his life achievements (1986) and the Kuestermeier Prize awarded to
him by the Germany-Israel Friendship Association (1990), The Israel Prime
Minister's Prize for his life achievements (1998), the Culture Prize of
the Saarland (1998) and the Israel Prize (2000).
Constantly active in Israel's public musical life, Tzvi Avni served in
the past as Chairman of the Israel Composers' League and led the World
Music Days which took place in Israel in 1980. For several years he was
Chairman of the Music Committee of the National Council for Culture and
Art, served twice as Chairman of the Jury of the Arthur Rubinstein International
Piano Master Competition (in 1989 and in 1992) and is currently Chairman
of the Directory Board of the Israel Jeunesses Musicales. He has been
constantly lecturing and publishing articles on musical topics for professional
musicians as well as for a general public.
CHAMBER MUSIC By Tzvi Avni
| Quintet for woodwinds (1959) |
18' |
IMI |
| Summer Strings for string quartet (1962) |
10' |
IMI |
| Two Pieces for Four Clarinets (1965) |
8' |
IMI |
| Five Pantomimes for 8 players (fl, cl, hn, tpt, vla,
db, pno, perc) based on paintings by Picasso, Chagall, Kandinsky,
Dali, Klee. Commissioned by the Israel Composers' Fund (1968) |
18' |
IMI |
| De Profundis - string quartet No. 2 (1969) (Lieberson
Prize 1970) |
10' |
IMI |
| Beyond the Curtain for piano quartet [pno, vln, vla,
vcl] (1979) Commissioned by the New York Cantilena Players |
15' |
IMI |
| Tandu for two flutes (1982) |
10' |
IMI |
Saxophone quartet (1990)
Commissioned by the Rascher Sax. Quart. |
14' |
MS |
| Fagotti Fugati - duo for two bassoons (1991) |
7' |
IMI |
| Odekha Ki Anitani - variations on a Sephardic tune
for recorder ensemble (1992) Commissioned by the Ministry of Education
and Culture |
10' |
IMI |
| Odekha Ki Anitani - new version for flute quartet
[incl. piccolo, alto and bass flutes] (1996) |
10' |
IMI |
Arguments - seven dialogues for violin and cello
(also for string orchestra) (2002) |
12' |
IMI |
| Nocturne with Bees and Fireflies for plucked strings
(2002) |
8' |
IMI |
| Paths of Time - string quartet No. 3 (or string orchestra)
(2003) |
12' |
IMI |
Bridges for two violins (2004)
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8' |
IMI |
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