![]() |
![]() |
|
| Suppressed
Music How might the musical language of in Western Europe have evolved in the twentieth century if so many young composers had not been stopped from working, forced into exile or killed by the Nazis? This is a subject that is now being addressed with increasing intensity world-wide. The aim of the JMI International Centre for Suppressed Music (ICSM) is to re-examine the work of composers whose careers were affected: to recover music suppressed by totalitarian regimes and later neglected, to restore, publish, perform and record the music. ICSM is also collecting an archive of interviews with surviving composers, musicians, their families and friends as well as manuscripts, scores and other documents showing how composers and musicians tackled both their musical and their political challenges. Latest newsMichael Haas wins prestigious culture prize in Vienna.Barry Humphries salutes the work of Michael Haas in recovering music neglected in the Nazi era To read about the event, click here.
‘It took Hitler twelve years to remove some of Europe’s most important composers and generations to try and put them back into place' Click here to read about and donate to The Spoli Fund. Forthcoming performances of Suppressed Music:
To hear Christian Immler, along with the Aurora Orchestra and the Artis Quartet of Vienna perform this repertoire again, watch out for a series at Kings Place, 27 – 30 January 2010 entitled From Vienna to Weimar featuring some wonderful and little known, chamber, vocal and orchestral music by composers of the early 20th century including Eisler, Gàl, Goldschmidt, Korngold, Schreker, Wellesz, Weill and Zemlinsky. This programme is curated by Nick Collon and the Aurora Orchestra with Erik Levi and Lloyd Moore of the JMI International Centre for Suppressed Music as artistic advisors. For Details and booking www.kingsplace.co.uk
last modified: 22 July 2005
|
|
|
|
![]() |
![]() |
| The Jewish Music Institute is an independent Arts organisation based at SOAS, University of London. It is an international focus bringing the ancient yet contemporary musical culture of the Jews to the mainstream British cultural, academic and social life. Its programmes of education, performance and information highlight many aspects of Jewish music throughout the ages and across the globe for people of all ages, backgrounds and cultures. | ||