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Aspects
of the Cantor's Art
Wednesdays 8, 15, 22 and 29 November 2006 Singing the sacred chant of the synagogue – no matter of which denomination – to certain melodic and rhythmic modes, offers the solace and stability of long standing Jewish tradition in the midst of our rapidly changing lives. Starting 8th November, in four weekly sessions, Joe Levine the distinguished cantorial scholar from Philadelphia, will examine with us what it is about the famous cantors of the Golden Age – that makes their renderings both timeless and timely, on the theory that ancient ways may yet have something to teach us…. In the sessions will spend some time listening to the greats such as Yossele Rosenblatt and Pierre Pinchik - then with musical handouts from several eras that Joe has prepared, attendees will be invited, if they wish, to perform in a workshop setting, applying the freshly learned chant patterns to their own singing, and listening and reacting to their fellows. All of the chants can and will be applied in the classes to several other texts common to all branches of Jewish practice. The course is open to all who love and have an interest in
cantorial music, and will be of especial interest to practising cantors. Singing
by students will be encouraged, but not mandatory. Non-professional lovers
of cantorial music might think of this as a mini-course in "participatory
listening." £20 for the complete series - £7 for an individual
session.
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| The Jewish Music Institute is an independent Arts organisation based at SOAS, University of London. It is an international focus bringing the ancient yet contemporary musical culture of the Jews to the mainstream British cultural, academic and social life. Its programmes of education, performance and information highlight many aspects of Jewish music throughout the ages and across the globe for people of all ages, backgrounds and cultures. | |||||