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Michael Wolpe - 'JMI Visiting Composer from Israel'

Tzvi Avni is one of the foremost composers of Israel today. He was born in Saarbrücken, Germany, in 1927, and came to Israel as a child. Initially self-taught he continued his studies with Abel Ehrlich and Paul Ben-Haim. In 1958 he graduated from the Israel Music Academy in Tel Aviv under Mordecai Seter and later furthered his studies in the USA at the Columbia-Princeton Electronic Music Centre with Vladimir Ussachevsky and in Tanglewood with Aaron Copland and Lukas Foss. Since 1971 he has been teaching at the Jerusalem Rubin Academy of Music and Dance where he holds the position of Professor of theory and composition and served as head of the Electronic Music Studio.

His works include several orchestral pieces, chamber music for various combinations, vocal and choral music, several electronic works, as well as music for ballet, theater, art films, radio plays, etc. They have been performed world-wide by numerous soloists and ensembles and by all Israeli orchestras including the Israel Philharmonic Orchestra, The Jerusalem Symphony Orchestra, The Israel Chamber Orchestra, as well as the Berlin Radio Orchestra, the Saarland Radio Symphony Orchestra, the Brooklyn Philharmonic Orchestra, the Stuttgart Radio Orchestra, Bochum Symphony and others, under the direction of Zubin Mehta, Lukas Foss, Gary Bertini, Mendi Rodan, Yuri Aronovich, Juan Pablo Izquierdo, John Nelson, Avi Ostrowsky, Yoav Talmi, Michael Stern, Steven Sloane, Yaakov Bergman and many others. Many of his works have been printed and issued on records.

In his early works Avni followed the line of the so-called Mediterranean Style which was still prevalent in Israel in the 1950's. His encounter in the early 1960's with some of the newer trends in musical thinking, including the electronic medium, were a turning point in his style, which now became more abstract and focused on sonorism and post-Webern developments though preserving some of its former characteristics. Avni's interest in Jewish mysticism since the mid 1970's left a further mark on his musical language in which some neo-tonal elements manifest themselves in a new synthesis. Avni is a recipient of several prizes, including the ACUM Prize for his life achievements (1986) and the Kuestermeier Prize awarded to him by the Germany-Israel Friendship Association (1990), The Israel Prime Minister's Prize for his life achievements (1998), the Culture Prize of the Saarland (1998) and the Israel Prize (2000).

Constantly active in Israel's public musical life, Tzvi Avni served in the past as Chairman of the Israel Composers' League and led the World Music Days which took place in Israel in 1980. For several years he was Chairman of the Music Committee of the National Council for Culture and Art, served twice as Chairman of the Jury of the Arthur Rubinstein International Piano Master Competition (in 1989 and in 1992) and is currently Chairman of the Directory Board of the Israel Jeunesses Musicales. He has been constantly lecturing and publishing articles on musical topics for professional musicians as well as for a general public.

CHAMBER MUSIC By Tzvi Avni

Quintet for woodwinds (1959) 18' IMI
Summer Strings for string quartet (1962) 10' IMI
Two Pieces for Four Clarinets (1965) 8' IMI
Five Pantomimes for 8 players (fl, cl, hn, tpt, vla, db, pno, perc) based on paintings by Picasso, Chagall, Kandinsky, Dali, Klee. Commissioned by the Israel Composers' Fund (1968) 18' IMI
De Profundis - string quartet No. 2 (1969) (Lieberson Prize 1970) 10' IMI
Beyond the Curtain for piano quartet [pno, vln, vla, vcl] (1979) Commissioned by the New York Cantilena Players 15' IMI
Tandu for two flutes (1982) 10' IMI
Saxophone quartet (1990)
Commissioned by the Rascher Sax. Quart.
14' MS
Fagotti Fugati - duo for two bassoons (1991) 7' IMI
Odekha Ki Anitani - variations on a Sephardic tune for recorder ensemble (1992) Commissioned by the Ministry of Education and Culture 10' IMI
Odekha Ki Anitani - new version for flute quartet [incl. piccolo, alto and bass flutes] (1996) 10' IMI
Arguments - seven dialogues for violin and cello
(also for string orchestra) (2002)
12' IMI
Nocturne with Bees and Fireflies for plucked strings (2002) 8' IMI
Paths of Time - string quartet No. 3 (or string orchestra) (2003) 12' IMI
Bridges for two violins (2004)
8' IMI






 

 

 

 

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The Jewish Music Institute is an independent Arts organisation based at SOAS, University of London. It is an international focus bringing the ancient yet contemporary musical culture of the Jews to the mainstream British cultural, academic and social life. Its programmes of education, performance and information highlight many aspects of Jewish music throughout the ages and across the globe for people of all ages, backgrounds and cultures.