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JMI has helped to develop a compelling Jewish music strand at Undergraduate level and a full programme at Masters and Postgraduate level. We also support the Joe Loss Lectureship in Jewish Music at SOAS as well as offering a flourishing scholarship scheme for studies in Jewish music at Masters and PhD level, sponsored by the Mildred Loss and Sir Jack Lyons Studentship Scheme. PhD projects can be practice-led, fieldwork-based, or theoretical. Please contact the Joe Loss Lecturer in the first instance to share your research interests and discuss options.
The following courses are offered as part of the BA Music Studies and MMus Ethnomusicology programmes:
Klezmer Music: Roots and Revival
Focus is placed on an analytical understanding of the musical structures and forms of traditional klezmer music, and upon the exploration of issues of diaspora, identity and musical change. This course aims to provide in depth knowledge and understanding of the Jewish klezmer music tradition, including its roots among the Jewish diaspora in pre-World War II Eastern Europe, its transformation in early twentieth century America and its revival and contemporary trends in the USA, Israel and Europe. Via this subject matter, this course seeks to develop students’ music analytical skills, critical thinking and understanding of wider issues in the study of world musics, including the concept of diaspora, insider/outsider status of performers, and the transformation of functional performance traditions for the “world music” concert stage.
Popular Music and Politics in Israel
Popular music and politics in Israel addresses the development of popular music in Israel from pre-State days to the present. Several songwriters and bands are studied to build up a picture of different approaches to the expression of national and ethnic identity in music. Particular focus is placed upon the relationship between national infrastructure (radio, TV, recordings, army ensembles) and popular music and on recent developments including growth of expression, since the 1980s, of minority ethnic identities in the mainstream Israeli popular music scene, and musical responses to recent political events.
At Undergraduate Level, Music can be combined with Development Studies, Anthropology, Languages and other academic disciplines. BA Music Students have the option of taking Klezmer Performance and embarking on independent study projects on Jewish music themes. Jewish Music is also covered within survey courses such as Sounds and Cultures, and Gender and Music. Single-subject BA Music students have the option of taking courses from other departments, which include Hebrew language, and courses on Judaism and Jewish texts and courses on Israeli culture and history.
MMus students specialise either in ethnomusicology or performance. As well as completing taught courses, the student will prepare a dissertation and/or performance(s) in an area of their choice.
To find out more, click here.
Jewish Music Staff at SOAS
Dr Ilana Webster-Kogen, Post-Doctoral Fellow in Jewish Music
Ilana was invited to become Post-Doctoral Fellow in Music in 2011. Her research has spanned a huge spectrum including Ethiopian music, music and migration and music and gender.
Contact Ilana to find out more about her courses and to discuss options at Masters and PhD level.
Dr Abigail Wood, Joe Loss Lecturer in Jewish Music
Abigail has been the Joe Loss Lecturer in Jewish Music at SOAS since 2007. She specialises in contemporary Yiddish song and klezmer, music among minority and immigrant communities in Israel and music and religion. She is particularly interested in urban and internet-based fieldwork. Her research includes soundscape field recordings in relation to identity, music and place in Jerusalem. She regularly contributes to publications on popular Jewish music in Israel, and contemporary Jewish music and modernity. Abigail is currently on sabbatical until 2013.