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JMI LIVE! Concerts, Performances and Live Events

From Vienna to Weimar

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Wednesday 27 January,
7.30 pm
Weimar Voices

Christian Immler, Baritone
Helmut Deutsch, Piano

Songs by exceptionally popular composers of the period
Schreker, 
Gál                                 
Goldschmidt                        
Eisler                               
Korngold                          
Krenek                               
Zemlinsky                         
Grosz                              

Thursday 28 January 7.30pm

Chamber Contrasts

Players from the Aurora Orchestra

Alexandra Wood, Violin

Hindemith: Quartet for clarinet, violin, cello and piano
Krenek: Serenade op.4
Weill arr. Frenkel: Seven pieces from The Threepenny Opera
Schoenberg arr. Webern:Chamber Symphony No.1

Friday 29 January 7.30pm

Lyric Suites Artis-Quartett Wien

Wellesz: String Quartet No.3 (UK premiere)
Berg: Lyric Suite
Weigl: String Quartet No.5
Zemlinsky: String Quartet No.4

Saturday 30 January

Study day

With guest speakers Erik Levi (Royal Holloway University of London), Professor Peter Franklin (University of Oxford), Professor Douglas Jarman (Royal Northern College of Music) and Dr Guido Heldt (University of Bristol).

Saturday 30 January Evening concert 7.30pm

Stylistic Crossroads

Aurora Orchestra

Nicholas Collon / Conductor

Clio Gould / Violin

Hindemith: Kammermusik No.1
Schreker: Chamber Symphony
Weill: Violin Concerto
Korngold: Much Ado About Nothing: Suite

Saturday 30 January 10.00pm

Cabaret After Dark
Late-night Cabaret concert,

Aurora Orchestra

Loré Lixenberg / Mezzo-Soprano
Nicholas Collon / Conductor
Cabaret music by Holländer, Spoliansky, Weill and others

FILMS

There will be a daily screening in the St Pancras Room of a silent Weimar classic (English intertitles) followed by a ‘talkie’ (German dialogue with English subtitles)
Wednesday 27 January, 7.30pm – 9.15pm
Die Dreigroschenoper (The Threepenny Opera, dir. G.W. Pabst, adapted from Bertolt Brecht play, music Kurt Weill, 1931, 105').
Wednesday 27 January, 9.30pm – 10.43pm
Menschen am Sonntag (People on Sunday, dir. Robert Siodmak et al, new orch. score Elena Kats-Chernin, 1929, 73'). 
Thursday 28 January, 7.30pm – 9.25pm
Das Testament des Dr. Mabuse (The Testament of Dr. Mabuse, dir. Fritz Lang, 1933, 115').
Thursday 28 January, 9.30pm prompt – 11.00pm
Asphalt (dir. Joe May, new orch. score Karl-Ernst Sasse, 1929, 90').
Friday 29 January, 7.30pm – 9.08pm
Der Blaue Engel (The Blue Angel, dir. Josef von Sternberg, music Friedrich Hollaender et al, adapted from Heinrich Mann novel, 1930, 108')
Friday 29 January, 9.45pm – 10.50pm
Berlin, die Sinfonie der Grossstadt (Symphony of the City, dir. Walther Ruttmann, music Edmund Meisel, 1927, 65').
Saturday 30 January, 5.00pm – 6.58pm
Metropolis (dir. Fritz Lang, original score Gottfried Huppertz, arr. Berndt Heller, 1927, 118').
Saturday 30 January, 7.30pm – 8.59pm
Berlin Alexanderplatz (dir. Phil Jutzi, adapted from Alfred Döblin novel, 1931, 89').
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The Jewish Music Institute is an independent Arts organisation based at SOAS, University of London. It is an international focus bringing the ancient yet contemporary musical culture of the Jews to the mainstream British cultural, academic and social life. Its programmes of education, performance and information highlight many aspects of Jewish music throughout the ages and across the globe for people of all ages, backgrounds and cultures.