We are very happy to announce that our world famous Klezmer summer school is back again for 2018.
Join the world famous music school and learn klezmer this summer at KlezFest 2018. Here is a a peek into what you can expect:
The international faculty will feature some of the very best klezmer musicians from around the world.
Alan Bern – Accordion (DE/USA) – Head of Faculty
Susi Evans – Clarinet (UK) – Assistant Head of Faculty
Ilana Cravitz – Violin (UK)
Andreas Schmitges – Mandolin/Guitar/Dance (DE)
Joshua Dolgin – Accordion and much more (CA)
With more faculty being announced very soon.
Full rate £250 (£225 if booked before 1st June 2018)
Student / Senior rate £175 (£150 if booked before 1st June 2018)
Senior rate is set at 65+
Band Bookings: If you are in a band and would like to enjoy huge discounts then sign up with 3 or more members of your band together and enjoy paying only £120 each. For more information please email email@example.com
10% if cancelled before 1 June.
25% if cancelled after 1 July.
50% if cancelled after 1 August.
Sunday 19th August: 1pm-6pm
Monday 20th August: 9.30am-8pm
Tuesday 21st August: 9.30am-8pm
Wednesday 22nd August: 9.30am-8pm
Thursday 23rd August: 9.30am-10pm
Friday 24th August: 9.30am-5pm
Alan Bern is the creator and artistic director of Yiddish Summer and co-founder and chairman of other music e.V., both based in Weimar, Germany. A pioneer of the American klezmer revival, he is a composer/arranger, pianist, accordionist, educator, cultural activist and philosopher. He is co-founder and director of Brave Old World, founder and director of The Other Europeans and Diaspora Redux. He has performed and recorded with Itzhak Perlman, Andy Statman, the Klezmatics, the Klezmer Conservatory Band, among others. He also performs with Bern, Brody & Rodach and with Guy Klucevsek. His education included classical piano with Paul Badura-Skoda and Leonard Shure, jazz with Karl Berger, the Art Ensemble of Chicago, Anthony Braxton and others, contemporary music with John Cage, Frederic Rzewski, Joel Hoffman and others, and philosophy and cognitive science with Dan Dennett. He received his master’s degree in Philosophy and his doctorate degree in music composition. In 2009, he was given the Ruth Lifetime Achievement Award for his work as a musician and educator.
Susi “has a deep knowledge of the klezmer idiom” (Evening Standard), and her performances have inspired press reviews remarking on her “nimble solo features and excellent tone control” (The Scottish Herald). Susi is a founder member of She’Koyokh – an award-winning klezmer & Balkan band that was nominated for ‘Best Group’ in the Songlines World Music Awards 2012 and has performed internationally at festivals and venues such as WOMAD and the Concertgebouw. Susi also plays with the London Klezmer Quartet who have toured in Australia four times. She appeared regularly on the West End stage in the National Theatre’s smash-hit production of War Horse and has collaborated with the Aurora Orchestra, composer Jocelyn Pook, Frank London (Klezmatics) and Kalman Balogh & Alan Bern (The Other Europeans). Susi graduated from the Royal Academy of Music with a first class degree in 2004 and having studied in Istanbul with Selim Sesler, at the Plovdiv Music Academy in Bulgaria with Nikola Iliev and with leaders of the klezmer revival, is now in demand as a teacher herself.
Ilana is one of a handful of professional violinists in the UK playing klezmer music in the traditional style. She has introduced thousands of people of all ages to klezmer through her performances, courses and workshops at festivals, venues of all shapes and sizes, and universities, colleges and schools. Her book, Klezmer Fiddle – a how-to guide, is published by Oxford University Press. Ilana also leads and calls for Yiddish dances and is a founder member of the London Klezmer Quartet, which within five years has produced three well-received CDs, toured Australia three times and appeared on national radio in a number of countries. She has worked with leading Sephardic music group Los Desterrados, and regularly plays English and Celtic music with ceilidh band The Muckers. Ilana studied baroque violin and viola da gamba at post-graduate level at the Royal College of Music in London, and can still sometimes be heard in concert playing on gut strings.
Andreas Schmitges is a professional klezmer musician (guitar, mandolin), band leader, dance leader, author, researcher, festival organizer, and Yiddish activist. He holds a degree in Jazz Guitar from the Hochschule für Musik und Tanz (University for Music and Dance), Cologne. Andreas is fluent in Yiddish and, as an artist, is particularly interested in the interplay of Yiddish language, music, and dance, and their relationships to other cultures. He has published several scholarly articles on Yiddish music and dance. Schmitges tours regularly with his ensembles A Tickle In The Heart, Klezmer Alliance and Voices of Ashkenaz and has taught Yiddish music and dance at festivals and workshops such as KlezKamp (New York), KlezFest (London), Klezmer Festival Stockholm, at the Maison de la Culture Yiddish (Paris), and Yiddish Summer Weimar. Together with New York-based director Jenny Romaine, he brought the Yiddish purimshpil “Megille Reloaded” (Di Megile fun Itzik Manger) to the stage for the North Rhein-Westphalia Jewish Culture Days in 2011.
Josh “Socalled” Dolgin is a pianist, accordionist, producer, journalist, photographer, filmmaker, magician, cartoonist and puppet maker based in Montreal, Quebec. He has lectured and has led master classes in music festivals around the world, from Moscow to Paris, from London to LA, and from Krakow to San Francisco, and has performed on every continent. With 6 solo albums to his name, he has performed all over the world for more than 10 years, and his list of collaborators knows no generational, social, cultural nor religious boundaries. Aside from countless festivals and venues around the world, Socalled has performed at Carnegie Hall (twice!), the Olympia in Paris, the Apollo theatre in Harlem and the Arsht centre in Miami. In 2003, his collaborative album Hiphopkhasene with British violinist Sophie Solomon won a German Record Critics Award (Preis der deutschen Schallplattenkritik). Then, in 2005, he released an EP based on the Passover service, The Socalled Seder, which he produced in his apartment and sold through the mail in a world before the internet, with almost 1000 mail-orders! It was eventually officially released by Jewish hipster label JDub and hailed as one of the greatest new Jewish Music records.
He started to work with renowned clarinetist David Krakauer, producing his genre-twisting “Bubbemeises” record, which led to an offer from French Jazz label Label Bleu to record his first proper solo album. Featuring about 40 guests from all walks of musical life, Ghettoblaster featured the breakout hits “The Good Old Days” and “You Are Never Alone”, the video of which garnered some 3 million views on Youtube. Ghettoblaster was on the longlist for the Polaris prize. The collaboration with Krakauer led to a project with James Brown’s arranger Fred Wesley “Abraham Inc” and the album of funk meeting Klezmer, “Tweet Tweet”.
His original Yiddish gangster puppet musical, “Isaac Babel’s Odessa Stories”, was presented at the Segal Center in Montreal in 2013: the cast recording will be released shortly. His work with cellist Matt Haimowitz, a re-working of Messiaen’s Quartet for the End of Time, garnered another Juno award nomination. In December 2015, Socalled was presented with the “Adrienne Cooper Memorial Dreaming in Yiddish” award for his work disseminating and exploring Yiddish culture.
When he’s not working in the studio, Socalled makes cookbooks, draws cartoons, edits video and practices Kurt Weill on the piano.